I guess another way to say it is that it is much less plunckier that the stock Deering bridge and slightly more brilliant than the Moon bridges I have on my stuff.It was a pretty impressive process with Mr. Veerman , at one point suggesting that I might not want to purchase his bridge if I could get my own to work by slanting it to flat the 4 and 5 string. It definately did. Without any problem, he said send it back and it was replaced with what he described as what many Bluegrass players use to just mellow the tone a little, so about a 1.5 on a scale of ten. Mike's customer service is outstanding. Highly recommend Bart's bridges. to see possible family members, friends, co-workers, and associates found from multiple government records, social and public sources. Despite these two handicaps - the impact of Dave's bridges are huge. This one went on my '81 Gold Star GF 100, which really didn't sound too bad, but with the new bridge it just has so much more clarity and improved quality of tone, it is hard to believe. What does all that mean? The bridge delivers plenty of tone and volume throughout the entire range of the instrument. If it's in a word or it's in a look, you can't get rid of the BabadookExcerpt from Mister Babadook. But sound is what really matters. See also. Where Purchased: Direct from Mike Smith in Dawson, Illinois. In actuality Tim made me three bridges, but the first one was lost in shipment on its way here to Argentina. I had a country recording session to do, and knew that the head on the SwallowTail was too stretched out and past its use-by date. Cons - The only real con to this bridge is that I cannot use my Mike's Banjo Mute with it. Bart and i went back and forth a bit on the string guages as Aquilladon't say much beyond light, medium ,heavy. I have this bridge set up on a 1928 TB3no hole archtop(conversion 5 string neck). Red maple is not as hard as most of the bridges being made today. Both had lots of volume and sustain and got a good tone from the ring. This is the genius of Bart Veerman's work. I had already switched to a Fiberskyn head and Rickard tailpiece, both of which made major progress toward the clawhammer sound I was seeking. Thanks again, Bart. I bought two for my main banjos in 2010 and haven't went back. I did not expect a $30 item to make such a big difference in a finely-crafted, custom-made instrument. So I put on a fresh set of American Made Banjo cryo strings with the el cheapo Grover bridge I'd had on this Mutt for years, thinking it deserved no better. Great product if you are looking to brighten up your tone. After the Army, my career continued to build in the telecommunications industry both in Europe and Australia/NZ, and was growing in the ever evolving ICT arena where I have been lucky enough to have worked with some of the largest ICT companies in the industry. Due to the arches under the top rail, a Mike's Mute must have bevels filed on the outside corners of the legs to fit the arches but once filed it works very well. Precise manufactured bridge, which produce a fantastic sound! As lead singer and keyboardist in the successful regional rock bands, Lou's Blues Revue, and Perfect World, he developed a reputation as a dynamic performer. Reviews help
The Spillway Dam Bridge would have made that argument hard to sustain. Tim has an intuitive ability to determine what matters in business. I have to say these bridges produce excellent sound. Excellent bridge. in computer science from Stanford University in 2001, and his Ph.D. in computer science from Stanford University in 2004. For sure I'll purchase another for my new custom! My wife thinks so, too, so it must be true! A fantastic product backed up by great communication/ advice and timely shipping/ delivery. I emailed Mike and asked if there was much of a difference in tone between the Snuffy and the Kat Eyz peg head. so I sent him an email, asking him what would work for the Ibanez, he says "Mystery wood - Ebony top. The new bridge keeps all the bass, adds top end sparkle (but no harshness) and helps every note pop even more than before, and it was also good at that. has been at the heart of our town and a stones throw from where many of us were born, and their involvement has lifted the spirit and also the potential investment in the town I like the thickness (same as the Snuffy) and the slight rearward angle that it sits onalso like the Snuffy bridge. I had found some bridges emphasized the high notes more. Go to his website and you'll see an array of bridges constructed from a myriad of woods with a description of each like the notes on a bottle of wine, many with sound samples. It will be a waste of time and money. I purchased it in accordance with my upgraded banjo, since it was recommended to me; although I can't see why it wouldn't work on many other banjos, too. Ordering: Barts order form asks a number of detailed questions about your banjo to ensure the bridge you order best matches your instrument. Curtis does not tell a great deal about the bridges on his site because he does not have tothey speak for themselves. I am not suggesting the Red Maple bridge is the answer for every banjo. This is an entry level, China-made model that is to some extent, modeled after the Granada design. The Cunningham bridge seemed to bring out the best in this banjo. 211 likes. Hes 62, and thats not including his shoes, which make him an imposing 63. The maple is open grained and old, a combination you don't normally see in old maple bridges. He brands them, and labels them height, weight, spacing on the bottom of the bridge feet for convenience. Although my 1987 Gibson ESS sounded good as it was, I decided to try a Snuffy Smith Bridge since most of the guys I know who play Gibson Banjo's all use them, and are very happy of how they inhanced the sound, volumn and tone. I was becoming increasingly frustrated with the lack of sustain and general dullness of the tone. I don't think there's a dimes worth of difference between the 2 bridges in tone & by looking at them , you definitely can't tell the difference. I can personally recommend The Emerson Bridges to anyone who is looking for a "Performance Kit" for their banjo! 1st string slot is a little wide but not bad. Powerful and clear. He offered much helpful input as to material and design considerations guiding me in the right direction based on my particular banjo and my playing style. The girl has real pipes. Also, Bart was very responsive and helpful - I would highly recommend doing business with him if you are lookingfor a well-crafted bridge. Working with Tim couldn't have been any easier. Really sounds great..I get so many compliments on this piece of Art, very colorful. (It is barely thinner than the medium-weight, which was purchased at least a year earlier.) This profile was gathered from multiple public and
Smile and Say Goodbye I told Jerry what I wanted and gave him my measurement particulars ( I like a TALL bridge and the Stealth has odd string placement so it was a custom job for sure).When I got the bridge I put it on and right out of the box the tone and volume and power of my Stealth was increased. The "archie" by Bart Veerman brought this banjo to its potential. Try them for yourself and hear the difference. I got a heavy weight, 9/16 ths inch with Crowe spacing. I am blown away by the improvement in sound. It's perfect, still warm, the way I like it, sweet, and the tone up the neck is great for those old honky tonk piano lines. I have three of them and have been impressed with the tone and consistency I am getting with them. Tim's "Old Flooring" bridge really brought a beautiful timbre in my banjo. ( by the way > these are GREAT banjos ) I wanted to try his PreWar style 2 - legged bridge that I had been hearing so much about from my good buddy and expert luthier Don Bryant. Not too dark, not too right. The Bales just loved the Maple/Padauk. Honestly, none makes my banjos sound as good as Bart's bridge does. He can be reached at 608 539 2039. The other thing I like is I feel I have more control over the range of loudness and quietness with this bridge. They even met while playing in a cruise ship band. Bart will get all the necessary information from the picker regarding banjo, strings, playing style and sound preference. (Maybe maple is not the best choice for all banjos.hummmmm). The bridge seems about medium weight and of maple construction with a possibly rosewood cap. A great bridge. What a great bridge! Files were needed to remove burrs on the ebony saddle. Sullivan makes top notch stuff and I'm a fan of most everything old so couldn't wait to try this old growth factory floor bridge (maple/ebony, uncompensated) on my 1929 Granada archtop and on my RK85. 'Gold Schaller Set - 2 D-Tuners, 2 Regular Tuners, matching 5th - all with prewar ivoroid buttons' 22 min, '1920 Fairbanks-Vega Little Wonder Tenor, Large Pot' 1 hr, 'Tab Omer Forster "Flowery Girls" 2-finger style.' Service Technician at A&R Mechanical Contractors . Published by Cook-Walden Funeral Home on Jul. I'm very pleasantly surprised.thanks Greg! Steve Davis suggested his 5/8 compensated bridge. But the Sullivan Old Growth is an improvement over the Snuffy. I highly recommend it! Facebook gives people the power to. I have learned that as products evolve or a new spin is put onto an old product, to many of us, including yours truly are anxious to put down a 10! The banjo is brighter than a typical Mastertone banjo. Communication/customer service - Outstanding. FWIW, Dave seems to be a nice fellow. The notes are strong, clear and distinct with a fast attack and a fast decay and have more timbre than any of the others. The 2nd bridge I received was a Missouri Maple/ebony bridge - I haven't tried that out yet. Sound quality is more continuous across the finger board. Where Purchased: Directly from Randall Wyatt through Randy Odell. It makes the lighter stock Deering bridge look abysmal in comparison. This is the ebony-crowned teak (two-foot) bridge. This bridge make BEEFUS' banjo blow down th walls! My second banjo is an 1895 SS Stewart Orchestra 28 inch scale, that I picked up on Ebay recently. He asked for full information on my banjo including string gauges, bridge height, string spacing, and customized the bridge accordingly. Bart's mystery wood bridge "WOKE" this banjo up when 8-10 other professional bridges could not. I told him what I wanted in a bridge and he made it happen. It arrived a few days later so I put it on, tweaked the head a bit and left it overnight to settle. 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